Showing posts with label Portrait. Show all posts
Showing posts with label Portrait. Show all posts

Thursday, May 3, 2012

Digital Portrait Photography and Lighting: Take Memorable Shots Every Time

Digital Portrait Photography and Lighting: Take Memorable Shots Every Time Review



Portraits preserve people


Since the earliest portraits were scratched onto cave walls, we've developed increasingly sophisticated tools for capturing human likenesses. Yet the motivation has changed little -- to freeze a human image as an art form, a means of communication, a piece of personal history. Whether formalized with elaborate settings and lighting or snapped at the beach to hold forever the pure joy in a child's face, portraits preserve people. Today's digital technology offers flexibility, economy, and almost limitless tools for perfecting your images, and these experts help you use it.
* Discover the skills you need to move from serious amateur to professional photographer
* Learn how a snapshot differs from a casual portrait
* Identify what you want your portrait to communicate
* Investigate lighting equipment and how to use it in different scenarios
* Use natural or mixed light to create unique effects
* Explore composition, posing, and handling challenges
* Handle props, backgrounds, color, location shooting, and studio shots
* Work with groups, children, and pets
* Perfect image-editing methods and final-touch processes that produce high-quality, professional images
* Find resources that can help you in setting up your own portrait business


Sunday, March 18, 2012

The 2009-2014 Outlook for Portrait Photography Studios in Greater China

The 2009-2014 Outlook for Portrait Photography Studios in Greater China Review



This econometric study covers the latent demand outlook for portrait photography studios across the regions of Greater China, including provinces, autonomous regions (Guangxi, Nei Mongol, Ningxia, Xinjiang, Xizang - Tibet), municipalities (Beijing, Chongqing, Shanghai, and Tianjin), special administrative regions (Hong Kong and Macau), and Taiwan (all hereafter referred to as "regions"). Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across some 1,100 cities in Greater China. For each major city in question, the percent share the city is of the region and of Greater China is reported. Each major city is defined as an area of "economic population", as opposed to the demographic population within a legal geographic boundary. For many cities, the economic population is much larger that the population within the city limits; this is especially true for the cities of the Western regions. For the coastal regions, cities which are close to other major cities or which represent, by themselves, a high percent of the regional population, actual city-level population is closer to the economic population (e.g. in Beijing). Based on this "economic" definition of population, comparative benchmarks allow the reader to quickly gauge a city's marketing and distribution value vis-a-vis others. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.


Tuesday, March 13, 2012

How to Start and Operate a Digital Portrait Photography Studio (Photot)

How to Start and Operate a Digital Portrait Photography Studio (Photot) Review



Twenty successful studio owners offer their expertise to aspiring professional photographers in this guide to operating a digital portrait studio. Every element of a thriving studio is covered, from choosing a location and determining a budget to selecting computer equipment and streamlining the digital work flow. Details on selecting backgrounds, sets, and props that set a studio apart and advice on lighting patterns, posing, and clothing selection help photographers ensure that they produce client-pleasing images and return customers. Customer service tips on creating comfortable waiting and viewing areas are included to help photographers set up an attractive space to better profit from their artistic skills.


Wednesday, March 7, 2012

The 2009-2014 Outlook for Portrait Photography Studios in the United States

The 2009-2014 Outlook for Portrait Photography Studios in the United States Review



This econometric study covers the latent demand outlook for portrait photography studios across the states and cities of the United States. Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across some 13,000 cities in the United States. For each city in question, the percent share the city is of it's state and of the United States is reported. These comparative benchmarks allow the reader to quickly gauge a city vis-a-vis others. This statistical approach can prove very useful to distribution and/or sales force strategies. Using econometric models which project fundamental economic dynamics within each state and city, latent demand estimates are created for portrait photography studios. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.


Thursday, February 16, 2012

Professional Portrait Retouching Techniques for Photographers Using Photoshop (Voices That Matter)

Professional Portrait Retouching Techniques for Photographers Using Photoshop (Voices That Matter) Review



Each year, Scott Kelby, Editor-in-Chief of Photoshop User magazine and the #1 best-selling Photoshop author, trains literally thousands of photographers on how to retouch portraits using Photoshop through his live seminars, online classes, DVDs, and standing-room only workshops at the Photoshop World Conference & Expo. Now you can learn the same techniques he uses in his own retouching workflow, in the only book of its kind–one written expressly for photographers who do their own retouching.

As a pro photographer himself, Scott understands that photographers make their living shooting, not retouching. But, delivering fully retouched images is now expected by clients. That’s why Scott put together this amazing resource for teaching photographers the quickest, easiest, and most effective ways to create professional-looking, retouched final images without spending hours grinding away at painstaking, detailed techniques.


LEARN HOW THE PROS DO IT

It’s all here–the step-by-step methods for fixing, enhancing, and finishing your portraits in Photoshop. Using the techniques in this book, you’ll create images that will absolutely wow your clients. You’ll learn:
• How to soften skin and still retain detail and texture

• The best tricks for beautifully enhancing eyes, eyebrows, and eyelashes

• How to selectively sharpen portraits without complicated masking

• How to create gorgeous-looking lips

• How to remove blemishes fast and keep the most detail

• The pros’ tricks for body sculpting

• How to make your subject’s hair look fabulous

• How to give your retouches that natural look that sets them apart

• Plus, you get Scott’s complete 5-minute, 15-minute, and 30-minute start-to-finish workflows

If you’re ready to learn the “tricks of the trade”–the same ones that today’s leading pro photographers use to retouch, tuck, tighten, and tone their images for that pro-retouched look–you’re holding the book that will do exactly that. It will radically change the way you retouch your portraits from here on out, and give you the best-looking, most natural retouches you’ve ever done.


Tuesday, February 14, 2012

Posing for Portrait Photography: A Head-to-Toe Guide

Posing for Portrait Photography: A Head-to-Toe Guide Review



Photographers learn how to gauge the needs of their clients before placing them into a stale, preconceived “women’s,” “men’s,” or “children’s” pose that hardly fits the client’s personality or preferences. Provided with a two-pronged approach to fail-safe posing, photographers learn first to determine what the mood of the portrait should be and how to use an appropriate posing genre—traditional, casual, glamour, or journalistic. Photographers are then shown how that genre can be used as a basis to produce a pose that best suits the client, allowing them to create dynamic yet natural-looking pose that the subject—and the intended recipient—will love.


Friday, February 10, 2012

Master Lighting Guide for Portrait Photographers

Master Lighting Guide for Portrait Photographers Review



Time-tested lighting strategies that will improve the quality of a portrait are detailed in this book for beginning photographers. Terminology used by industry pros is explained, the equipment needed to create professional results is outlined, and the unique role that each element of the lighting setup plays in the studio is explored. Photographers learn how color, direction, form, and contrast affect the final portrait. The concise text, photo examples, and lighting diagrams enable photographers to easily achieve traditional lighting styles that have been the basis of good portraiture since the advent of the art.


Monday, February 6, 2012

Digital wedding portrait studio sells quality, not speed: high-end clients receive reproduction rights in contract.(Feature)(Jeff Hawkins Photography): An article from: Photo Marketing

Digital wedding portrait studio sells quality, not speed: high-end clients receive reproduction rights in contract.(Feature)(Jeff Hawkins Photography): An article from: Photo Marketing Review



This digital document is an article from Photo Marketing, published by Photo Marketing Association International on February 1, 2004. The length of the article is 1541 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Digital wedding portrait studio sells quality, not speed: high-end clients receive reproduction rights in contract.(Feature)(Jeff Hawkins Photography)
Author: Larry Thall
Publication:Photo Marketing (Magazine/Journal)
Date: February 1, 2004
Publisher: Photo Marketing Association International
Volume: 79 Issue: 2 Page: 33(2)

Distributed by Thomson Gale


Sunday, February 5, 2012

All-digital school portrait studio boosts services and sales: image capture is a breeze, post-production more challenging. (Profile).: An article from: Photo Marketing

All-digital school portrait studio boosts services and sales: image capture is a breeze, post-production more challenging. (Profile).: An article from: Photo Marketing Review



This digital document is an article from Photo Marketing, published by Photo Marketing Association International on July 1, 2003. The length of the article is 1369 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: All-digital school portrait studio boosts services and sales: image capture is a breeze, post-production more challenging. (Profile).
Author: Larry Thall
Publication:Photo Marketing (Magazine/Journal)
Date: July 1, 2003
Publisher: Photo Marketing Association International
Volume: 78 Issue: 7 Page: 2(2)

Distributed by Thomson Gale


Monday, January 30, 2012

500 Poses for Photographing Women: A Visual Sourcebook for Portrait Photographers

500 Poses for Photographing Women: A Visual Sourcebook for Portrait Photographers Review



Next to lighting, posing is the most challenging aspect of photography—with so many body parts to capture, the possibilities are endless, and it’s all too easy to make a wrong turn. This illustrated reference provides both amateur shutterbugs and seasoned pros with the perfect place to turn when in need of quick posing strategies and fresh ideas. Containing 500 contemporary images by leading photographers, this indispensable manual explains posing fundamentals as well as how to create a flattering, feature-specific photograph—one that focuses on the head, shoulders, arms, torso, or feet—in different levels of close-ups, from head-shots to full-lengths.


Saturday, January 28, 2012

How to Start and Operate a Digital Portrait Photography Studio

How to Start and Operate a Digital Portrait Photography Studio Review



Twenty successful studio owners offer their expertise to aspiring professional photographers in this guide to operating a digital portrait studio. Every element of a thriving studio is covered, from choosing a location and determining a budget to selecting computer equipment and streamlining the digital work flow. Details on selecting backgrounds, sets, and props that set a studio apart and advice on lighting patterns, posing, and clothing selection help photographers ensure that they produce client-pleasing images and return customers. Customer service tips on creating comfortable waiting and viewing areas are included to help photographers set up an attractive space to better profit from their artistic skills.


Wednesday, January 4, 2012

The 2009-2014 Outlook for Portrait Photography Studios in Japan

The 2009-2014 Outlook for Portrait Photography Studios in Japan Review



This econometric study covers the latent demand outlook for portrait photography studios across the prefectures and cities of Japan. Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across some 1,000 cities in Japan. For each city in question, the percent share the city is of it's prefecture and of Japan is reported. These comparative benchmarks allow the reader to quickly gauge a city vis-a-vis others. This statistical approach can prove very useful to distribution and/or sales force strategies. Using econometric models which project fundamental economic dynamics within each prefecture and city, latent demand estimates are created for portrait photography studios. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.

This study does not report actual sales data (which are simply unavailable, in a comparable or consistent manner in virtually all of the cities in Japan). This study gives, however, my estimates for the latent demand, or the P.I.E., for portrait photography studios in Japan. It also shows how the P.I.E. is divided and concentrated across the cities and regional markets of Japan. For each prefecture, I also show my estimates of how the P.I.E. grows over time. In order to make these estimates, a multi-stage methodology was employed that is often taught in courses on strategic planning at graduate schools of business.


Monday, January 2, 2012

The 2011-2016 Outlook for Portrait Photography Studios in Japan

The 2011-2016 Outlook for Portrait Photography Studios in Japan Review



This econometric study covers the latent demand outlook for portrait photography studios across the prefectures and cities of Japan. Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across some 1,000 cities in Japan. For each city in question, the percent share the city is of it's prefecture and of Japan is reported. These comparative benchmarks allow the reader to quickly gauge a city vis-a-vis others. This statistical approach can prove very useful to distribution and/or sales force strategies. Using econometric models which project fundamental economic dynamics within each prefecture and city, latent demand estimates are created for portrait photography studios. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.

This study does not report actual sales data (which are simply unavailable, in a comparable or consistent manner in virtually all of the cities in Japan). This study gives, however, my estimates for the latent demand, or the P.I.E., for portrait photography studios in Japan. It also shows how the P.I.E. is divided and concentrated across the cities and regional markets of Japan. For each prefecture, I also show my estimates of how the P.I.E. grows over time. In order to make these estimates, a multi-stage methodology was employed that is often taught in courses on strategic planning at graduate schools of business.


Wednesday, December 28, 2011

Portrait studio promotes pet portraits with Basset Bash: digital minilab ideas.(Retailing): An article from: Photo Marketing

Portrait studio promotes pet portraits with Basset Bash: digital minilab ideas.(Retailing): An article from: Photo Marketing Review



This digital document is an article from Photo Marketing, published by Photo Marketing Association International on October 1, 2004. The length of the article is 778 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Portrait studio promotes pet portraits with Basset Bash: digital minilab ideas.(Retailing)
Author: Jennifer Barr Kruger
Publication:Photo Marketing (Magazine/Journal)
Date: October 1, 2004
Publisher: Photo Marketing Association International
Volume: 79 Issue: 10 Page: 29(1)

Distributed by Thomson Gale


Thursday, December 22, 2011

The Best of Family Portrait Photography: Professional Techniques and Images

The Best of Family Portrait Photography: Professional Techniques and Images Review



Artwork from 30 of the industry's top photographers is used to highlight both clear-cut shooting strategies and colorful, cutting-edge approaches to family portraiture in this handbook intended for idea gathering and inspiration. Advice on focal length, perspective, and maximizing the potential of digital equipment highlights the technical aspects of family portraiture while group posing strategies demonstrate how best to flatter each subject and convey a sense of family unity. A lengthy discussion of lighting—the backbone of portraiture—and the manipulation of shadows and highlights instructs photographers on how to create mood and interest in a variety of lighting scenarios, both indoors and out. Specifics on adjusting body lines, colors, and shapes, working with young children, and creating a comfortable atmosphere ensure that the photographer captures the unique personality of each family with dynamic and attractive images.


Wednesday, December 21, 2011

The 2009-2014 World Outlook for Portrait Photography Studios

The 2009-2014 World Outlook for Portrait Photography Studios Review



This econometric study covers the world outlook for portrait photography studios across more than 200 countries. For each year reported, estimates are given for the latent demand, or potential industry earnings (P.I.E.), for the country in question (in millions of U.S. dollars), the percent share the country is of the region and of the globe. These comparative benchmarks allow the reader to quickly gauge a country vis-a-vis others. Using econometric models which project fundamental economic dynamics within each country and across countries, latent demand estimates are created. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved. This study does not report actual sales data (which are simply unavailable, in a comparable or consistent manner in virtually all of the 230 countries of the world). This study gives, however, my estimates for the worldwide latent demand, or the P.I.E., for portrait photography studios. It also shows how the P.I.E. is divided across the world's regional and national markets. For each country, I also show my estimates of how the P.I.E. grows over time (positive or negative growth). In order to make these estimates, a multi-stage methodology was employed that is often taught in courses on international strategic planning at graduate schools of business.


Sunday, December 11, 2011

The 2009 Report on Portrait Photography Studios: World Market Segmentation by City

The 2009 Report on Portrait Photography Studios: World Market Segmentation by City Review



This report was created for global strategic planners who cannot be content with traditional methods of segmenting world markets. With the advent of a "borderless world", cities become a more important criteria in prioritizing markets, as opposed to regions, continents, or countries. This report covers the top 2000 cities in over 200 countries. It does so by reporting the estimated market size (in terms of latent demand) for each major city of the world. It then ranks these cities and reports them in terms of their size as a percent of the country where they are located, their geographic region (e.g. Africa, Asia, Europe, Middle East, North America, Latin America), and the total world market.

In performing various economic analyses for its clients, I have been occasionally asked to investigate the market potential for various products and services across cities. The purpose of the studies is to understand the density of demand within a country and the extent to which a city might be used as a point of distribution within its region. From an economic perspective, however, a city does not represent a population within rigid geographical boundaries. To an economist or strategic planner, a city represents an area of dominant influence over markets in adjacent areas. This influence varies from one industry to another, but also from one period of time to another.

In what follows, I summarize the economic potential for the world's major cities for "portrait photography studios" for the year 2009. The goal of this report is to report my findings on the real economic potential, or what an economist calls the latent demand, represented by a city when defined as an area of dominant influence. The reader needs to realize that latent demand may or may not represent real sales.